The Amazing Spider-Man weekly continues with issues #700.2 and #700.3. I have to admit I liked the first chapter, it was nice to have a heroic Spider-Man story to read.
We get 3 Justice League books this week, one of them is the new Justice League 3000 #1. Are these the heroes we know and love thrown into the future somehow..or sons and daughters of the originals?
The Legends of the Dark Knight Special is a big 100 pager full of stuff previously seen only on line digitally. Looks like a great deal for $9.99.
Inhumanity gets its first spin-off with Awakening by Matt Kindt. Sounds like a continuation of his Infinity mini-series about the kids of the various super-hero schools.
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Friday, December 6, 2013
Wednesday, December 4, 2013
INHUMANITY
Inhumanity #1 is a one-shot that transitions the Marvel Universe from the Infinity event into the new Inhumanity event. Inhumanity #1 is written by Matt Fraction and illustrated by Oliver Copiel.
Inhumanity #1 gives us a solid recap of the end of Infinity, and shows us the aftermath of the Terrigen Bomb. The entire issue serves as both a recap and a foreshadowing extravaganza. It's clear that a lot of the cryptic information provided in Inhumanity #1 is going to be addressed in the future. Fraction does a good job with the book as he veers away from the lighthearted, witty tones found in Hawkeye and FF, and gives us something with a little more darkness and weight. The art by Copiel is fantastic as always.
Inhumanity #1 was supposed to be followed by a new ongoing called Inhumans, which has been pushed from January to April. That's a big gap to fill for an event that's already started. In the meantime, there are a few other one-shots that will be released. Inhumanity: Medusa and Inhumanity: Superior Spider-Man are two one-shot titles that will be out shortly, and some other ongoings will tie into the event. Those books are slated for December and January, so it's fair to assume that more tie-ins and one shots will be announced to fill the gap until Inhumans #1 is out in April. Marvel will no doubt be scrambling to make sure the event doesn't fall flat.
Regardless of the delay, Inhumanity #1 delivers a good look at the history of the Inhumans and their role in human evolution within the Marvel Universe. It's a little like the Earth X series that was released years ago. It will be interesting to see a Marvel Universe with new unknown heroes and villains, and it'll more than likely present some fresh new characters. Another interesting aspect will be just how the Terrigen Mist has affected regular citizens - how unwanted powers can change everything about you, from your physical appearance to your daily schedule. Basically, we'll get a look at regular people afflicted with powers and transformations.
Inhumanity #1 is a good foray from Infinity to Inhumanity. This extra-sized issue, which includes a poster featuring upcoming covers, is also a good value for the standard Marvel cover price.
Inhumanity #1 gives us a solid recap of the end of Infinity, and shows us the aftermath of the Terrigen Bomb. The entire issue serves as both a recap and a foreshadowing extravaganza. It's clear that a lot of the cryptic information provided in Inhumanity #1 is going to be addressed in the future. Fraction does a good job with the book as he veers away from the lighthearted, witty tones found in Hawkeye and FF, and gives us something with a little more darkness and weight. The art by Copiel is fantastic as always.
Inhumanity #1 was supposed to be followed by a new ongoing called Inhumans, which has been pushed from January to April. That's a big gap to fill for an event that's already started. In the meantime, there are a few other one-shots that will be released. Inhumanity: Medusa and Inhumanity: Superior Spider-Man are two one-shot titles that will be out shortly, and some other ongoings will tie into the event. Those books are slated for December and January, so it's fair to assume that more tie-ins and one shots will be announced to fill the gap until Inhumans #1 is out in April. Marvel will no doubt be scrambling to make sure the event doesn't fall flat.
Regardless of the delay, Inhumanity #1 delivers a good look at the history of the Inhumans and their role in human evolution within the Marvel Universe. It's a little like the Earth X series that was released years ago. It will be interesting to see a Marvel Universe with new unknown heroes and villains, and it'll more than likely present some fresh new characters. Another interesting aspect will be just how the Terrigen Mist has affected regular citizens - how unwanted powers can change everything about you, from your physical appearance to your daily schedule. Basically, we'll get a look at regular people afflicted with powers and transformations.
Inhumanity #1 is a good foray from Infinity to Inhumanity. This extra-sized issue, which includes a poster featuring upcoming covers, is also a good value for the standard Marvel cover price.
Saturday, November 30, 2013
NEW COMICS DECEMBER 4th
Amazing Spider-Man #700.1 starts off a 4-issue weekly look back at Peter Parker as Spider-Man.
Avengers Annual delivers a Christmas story by Kathryn Immonen.
The Hulk Annual is by regular writer Mark Waid and guest-stars Iron Man.
Marvel spins off the event Infinity with the launch of Inhumanity. I'm still confused myself on whether this is the start of a series or a one-shot and how it works with the Inhumans #1 that has been cancelled and is due to be relisted some time next year.
Garth Ennis gives us something a little different with Rover,Red,Charlie. A post-apocalyptic comic from the viewpoint of 3 dogs living through the end days.
Avengers Annual delivers a Christmas story by Kathryn Immonen.
The Hulk Annual is by regular writer Mark Waid and guest-stars Iron Man.
Marvel spins off the event Infinity with the launch of Inhumanity. I'm still confused myself on whether this is the start of a series or a one-shot and how it works with the Inhumans #1 that has been cancelled and is due to be relisted some time next year.
Garth Ennis gives us something a little different with Rover,Red,Charlie. A post-apocalyptic comic from the viewpoint of 3 dogs living through the end days.
Friday, November 22, 2013
NEW COMICS NOVEMBER 27th
Looks like a really big week, I guess the publishers are trying to load the shelves up for the American Thanksgiving. Not much new or special to really note though.
Letter 44 #1...I didn't get my copies the first time this shipped for some reason, but it looks like a great book. Its only a buck, so pick it up and try it out, the 2nd issue will be on the shelves with it for the regular $3.99 price.
Maxx Maxximized is just new printings of the classic Sam Kieth stuff, but it will be fun to see it all again.
Sandman Overture Special is the first issue with some added material( sketches and interview type stuff) plus the word balloons will be dropped out so as to show off the art.
Marvels Infinity event comes to a close with a big last issue with a $6.00 price tag.
Letter 44 #1...I didn't get my copies the first time this shipped for some reason, but it looks like a great book. Its only a buck, so pick it up and try it out, the 2nd issue will be on the shelves with it for the regular $3.99 price.
Maxx Maxximized is just new printings of the classic Sam Kieth stuff, but it will be fun to see it all again.
Sandman Overture Special is the first issue with some added material( sketches and interview type stuff) plus the word balloons will be dropped out so as to show off the art.
Marvels Infinity event comes to a close with a big last issue with a $6.00 price tag.
Harley Quinn #0
Harley Quinn #0
Harley's new ongoing title kicks off with a zero issue in which every page is provided by a different artist. Jimmy Palmiotti and Amanda Conner are the writers for this one and, along with the artists, they've put together a fun, experimental "jam session" of a comic. Everyone involved gets to have a little fun with it, and that translates to a neat, unique read.
There's no real story in this issue, though the last page sets you up nicely for the upcoming #1. Harley Quinn #0 starts off when Harley decides she wants to play the starring role in her own ongoing series, and essentially decides to try out different artists; each of whom provides a page for this zero issue. Conner and Palmiotti keep the script fun and lighthearted, while taking a few cracks at the talent as well as the business. Jim Lee's page is basically a reprint from a previous Batman comic. Simonson's lack of backgrounds is brought to light. Tradd Moore's ability to finely illustrate motion is mentioned. There's a lot of humor for fans of comics, and fans of the industry.
This issue is pretty much the definition of breaking the fourth wall. It's also absolutely suited to a character like Harley Quinn. It looks like future issues are going to be more of a comedic serial title with less fourth wall-breaking, allowing with writers to craft some good ongoing Harley stories without involving the reader. For a zero issue, however, this is an extremely fun idea and it's well executed. I wouldn't mind seeing 'gimmick' issues like this hit shelves once in a while, or at least artist jam session issues. You never know when you'll discover a new artist you enjoy. Issues like Harley Quinn #0 can not only be interesting and helpful for readers discovering new talent, but most importantly, issues like these are just plain fun to read.
Harley's new ongoing title kicks off with a zero issue in which every page is provided by a different artist. Jimmy Palmiotti and Amanda Conner are the writers for this one and, along with the artists, they've put together a fun, experimental "jam session" of a comic. Everyone involved gets to have a little fun with it, and that translates to a neat, unique read.
There's no real story in this issue, though the last page sets you up nicely for the upcoming #1. Harley Quinn #0 starts off when Harley decides she wants to play the starring role in her own ongoing series, and essentially decides to try out different artists; each of whom provides a page for this zero issue. Conner and Palmiotti keep the script fun and lighthearted, while taking a few cracks at the talent as well as the business. Jim Lee's page is basically a reprint from a previous Batman comic. Simonson's lack of backgrounds is brought to light. Tradd Moore's ability to finely illustrate motion is mentioned. There's a lot of humor for fans of comics, and fans of the industry.
This issue is pretty much the definition of breaking the fourth wall. It's also absolutely suited to a character like Harley Quinn. It looks like future issues are going to be more of a comedic serial title with less fourth wall-breaking, allowing with writers to craft some good ongoing Harley stories without involving the reader. For a zero issue, however, this is an extremely fun idea and it's well executed. I wouldn't mind seeing 'gimmick' issues like this hit shelves once in a while, or at least artist jam session issues. You never know when you'll discover a new artist you enjoy. Issues like Harley Quinn #0 can not only be interesting and helpful for readers discovering new talent, but most importantly, issues like these are just plain fun to read.
Friday, November 15, 2013
New Comics Wednesday November 20th
Dc starts off a new regular title for its latest version of Harley Quinn. They had a little controversy with the whole suicide story submission idea, but I don't think that will hurt sales much.
Scooby-Doo gets a 2nd title, featuring at team-up with Batman.
Marvel conntinues to confuse things by renaming all their Ultimates comics as Cataclysm Ultimates.
Fairest in all the Land, is an all new original hardcover of stories from the Fablesverse by Bill Willingham and various artists, including Phil Noto and Adam Hughes.
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Scooby-Doo gets a 2nd title, featuring at team-up with Batman.
Marvel conntinues to confuse things by renaming all their Ultimates comics as Cataclysm Ultimates.
Fairest in all the Land, is an all new original hardcover of stories from the Fablesverse by Bill Willingham and various artists, including Phil Noto and Adam Hughes.
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Wednesday, November 13, 2013
REVIEWS FOR THE WEEK
Unity #1
Valiant is a comic universe much smaller than the big two, but based on Unity alone, it's clearly quite vast and fairly expansive. Unity is their new team book that encompasses the characters from a few of Valiants' ongoing titles. Or most of them, anyways. Going into Unity having not read the recent Valiant titles, this new #1 has sparked my interest in the universe and in the characters. It seems to be a great jumping-on-point for the Valiant ongoings.
The main story (or most of what you'll need to know going into Unity) is summed up on the inside of the cover. A nice little timeline will support you though the title and help you understand why the characters are at war. It's a little reminiscent of Irredeemable, actually. An unstoppable, violent superpowered (or super suit-powered) man is waging war on Romania to avenge his people, and no one on earth can match his strength, speed, and abilities. Even the most well-timed, properly executed plans are ineffective. How can the world stop the fighting and prevent a possible World War 3?
At the forefront of Unity is Manowar. His story is explained early in the book and, for this reason, readers new to Valiant titles don't have to have read the previous titles to enjoy Unity #1. While the supporting characters aren't given backstories or explanations, Matt Kindt does a great job helping the reader understand what roles these characters play. As usual, Kindt's writing is spot on. Doug Braithwate illustrates the book quite well, though there doesn't seem to be any other credits inside the pages of Unity #1. No lettering, colouring, or editing credits anywhere. Adding value to the book is the short backup story, which leads into XO Manowar #19 next week.
The Valiant team has mentioned that more characters will be added to this new ongoing as time rolls on, as it's a team book at its core. Should be interesting to see how this changes the Valiant universe, and how it affects all of the current titles. New readers should consider Unity #1 this week if the Valiant universe seems appealing.
Marvel Knights: X-Men #1
Next up in the relaunched Marvel Knights lineup is X-Men. Marvel Knights X-Men seems to take place in the current Marvel Universe and in the current X-Men timeline. The story focuses on Wolverine's team, including Kitty, Rogue and Beast. Taking the reins on story and art is Brahm Revel (Guerrillas) and Chris Peter on colours. MK: X-Men #1 reads a lot like a horror story, which is a fun change for an X-Men title.
After Rachel Grey is plagued by the haunting vision of a young mutant being hunted in a forest, the X-Men discover a small town with a history of missing children. Investigating the mutant's disappearance leads only to new questions, and eventually to an old cabin smack in the middle of a foggy swamp. Things heat up from there. A small backwoods town and a dark winding forest provide an excellent setting to tell a creepy mystery story, and it's actually pretty fun with the X-Men doing the investigating. It feels like an older comic, and it's certainly not plagued by continuity or an abundance of characters.
The Marvel Knights lineup has been showcasing some great talent with MK: Spider-Man written by Matt Kindt and illustrated by Marco Rudy. This month we have X-Men, and next month will be Hulk's turn to get the Marvel Knights treatment. Each series is a five issue arc, and based on the Spider-Man and X-Men titles, these books should give a neat new look at these characters, telling some weird, experimental stories in odd new ways. The art by Rudy on MK Spider-Man shows just how much fun these books can be.
Marvel Knights X-Men is definitely recommended if you're a fan of X-Books and horror stories, or if you want to expand your comic tastes with new up-and-coming talent.
Valiant is a comic universe much smaller than the big two, but based on Unity alone, it's clearly quite vast and fairly expansive. Unity is their new team book that encompasses the characters from a few of Valiants' ongoing titles. Or most of them, anyways. Going into Unity having not read the recent Valiant titles, this new #1 has sparked my interest in the universe and in the characters. It seems to be a great jumping-on-point for the Valiant ongoings.
The main story (or most of what you'll need to know going into Unity) is summed up on the inside of the cover. A nice little timeline will support you though the title and help you understand why the characters are at war. It's a little reminiscent of Irredeemable, actually. An unstoppable, violent superpowered (or super suit-powered) man is waging war on Romania to avenge his people, and no one on earth can match his strength, speed, and abilities. Even the most well-timed, properly executed plans are ineffective. How can the world stop the fighting and prevent a possible World War 3?
At the forefront of Unity is Manowar. His story is explained early in the book and, for this reason, readers new to Valiant titles don't have to have read the previous titles to enjoy Unity #1. While the supporting characters aren't given backstories or explanations, Matt Kindt does a great job helping the reader understand what roles these characters play. As usual, Kindt's writing is spot on. Doug Braithwate illustrates the book quite well, though there doesn't seem to be any other credits inside the pages of Unity #1. No lettering, colouring, or editing credits anywhere. Adding value to the book is the short backup story, which leads into XO Manowar #19 next week.
The Valiant team has mentioned that more characters will be added to this new ongoing as time rolls on, as it's a team book at its core. Should be interesting to see how this changes the Valiant universe, and how it affects all of the current titles. New readers should consider Unity #1 this week if the Valiant universe seems appealing.
Marvel Knights: X-Men #1
Next up in the relaunched Marvel Knights lineup is X-Men. Marvel Knights X-Men seems to take place in the current Marvel Universe and in the current X-Men timeline. The story focuses on Wolverine's team, including Kitty, Rogue and Beast. Taking the reins on story and art is Brahm Revel (Guerrillas) and Chris Peter on colours. MK: X-Men #1 reads a lot like a horror story, which is a fun change for an X-Men title.
After Rachel Grey is plagued by the haunting vision of a young mutant being hunted in a forest, the X-Men discover a small town with a history of missing children. Investigating the mutant's disappearance leads only to new questions, and eventually to an old cabin smack in the middle of a foggy swamp. Things heat up from there. A small backwoods town and a dark winding forest provide an excellent setting to tell a creepy mystery story, and it's actually pretty fun with the X-Men doing the investigating. It feels like an older comic, and it's certainly not plagued by continuity or an abundance of characters.
The Marvel Knights lineup has been showcasing some great talent with MK: Spider-Man written by Matt Kindt and illustrated by Marco Rudy. This month we have X-Men, and next month will be Hulk's turn to get the Marvel Knights treatment. Each series is a five issue arc, and based on the Spider-Man and X-Men titles, these books should give a neat new look at these characters, telling some weird, experimental stories in odd new ways. The art by Rudy on MK Spider-Man shows just how much fun these books can be.
Marvel Knights X-Men is definitely recommended if you're a fan of X-Books and horror stories, or if you want to expand your comic tastes with new up-and-coming talent.
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